Henri Rabaud’s Solo de Concours for clarinet and piano, Op. 10, was composed in 1901 for clarinetist Charles Turban, a professor at the Paris Conservatoire. Like all pièces de concours (competition pieces), it was written to assess the technical and expressive mastery of students preparing for graduation. The work was selected for several editions of the Conservatoire’s annual competition (in 1908, 1915, 1925, and 1937), a testament to its popularity and pedagogical value.

In a previous post on this blog I wrote about the Zamba for clarinete and piano by the Argentine composer Viviana Danon. Now, I want to present another beautiful composition of his authorship

Composed in 1943 by the English composer John Ireland (1872–1962), the Fantasy-Sonata is regarded as one of the twentieth century’s masterpieces of the English clarinet repertoire, and also as Ireland’s most significant chamber work.

When I was very young, I was introduced to Arthur Honegger Sonatina for clarinet and piano on a recording by clarinetist Stanley Drucker, and it always appealed to me. Two years ago, I decided to study it for recording, a project I was finally able to complete in July 2021, along with the track recorded by pianist Mohamed Shams. Above is the video of this recording, which I enjoyed so much. Arthur Honegger (1892-1955) was a prolific composer of Swiss parents

The choro song “Carinhoso” is the most famous work of Pixinguinha, with hundreds of recordings made all over the world,